Spaceways (1953)

This may appear at first glance to be an early 1950s science fiction film but really it is quite a good murder mystery!

Tensions are high at a top secret and high security British research base as Britain attempts to be the first to send a rocket into orbit in efforts led by Dr Mitchell (Howard Duff). However, there are other tensions too as Mitchell's wife Vanessa (Cecile Chevreau) dislikes the restricted life on base and is having an affair with Dr Crenshaw (Andrew Osborn). Vanessa and Crenshaw go missing on the day of a new rocket test, the rocket failing to reach the correct orbit for some reason.

Ministry investigator Dr Smith (Alan Wheatley) comes in looking into why the two disappeared. He knows of the affair and logically deduces that Mitchell killed the pair and then stuffed their bodies into the rocket which is now in orbit! Mitchell volunteers to pilot another rocket into space to prove his innocence but Smith has a new lead and the pair might not be dead after all...

If you wanted a 1950s science fiction film you might find this a bit limited (though there are some orbital thrills at the end) but the crime investigation part of the film is pretty good and makes the film a perfectly reasonable watch.

Amanda and the Alien (1995)

A science fiction comedy with a real difference, and that difference is a fair amount of cringe.

An alien that can take over human bodies escapes from a US government facility. Although the alien looks human it struggles with acting like one. Cool coffee shop nerd Amanda (Nicole Eggert) sees the alien struggling with her latte and naturally decides to help. Amanda's help includes helping the alien feed by killing and assuming the form of Amanda's annoying boyfriend! Naturally Amanda starts to fall in love with the alien...

Although a bit weird at times, the film somehow succeeds. Is it so bad it's good? Well at times, though at other times the cringe factor can make it so bad it's bad! The quirky weirdness will drag you through though. Michael Dorn as a US military officer adds a good sci-fi touch. It is a real film of it's time with it's mid-90s style and feel. 

Project Moon Base (1953)

Misogyny... in... space!

The US launches a mission to it's space station. It is commanded by Colonel Briteis (Donna Martell). However, as Briteis is female she is called "Bright eyes", her other crewman Moore (Ross Ford) openly resents being inferior to a female, and the general threatens her with a spanking if she doesn't behave!

Meanwhile, Wernher (Larry Johns) is a foreign spy who is attached to the mission with a secret plan to destroy the space station. Instead he manages to get them marooned on the Moon...

It is a shame the film is jarred by some blatant and overt sexism as this isn't a bad 1950s science-fiction film at all otherwise. Luckily Briteis manages to solve her problema with Moore resenting her status by marrying him on the Moon and getting him a promotion to outrank her as a wedding present! 

The Wizard of Mars (1965)

A rather plodding science-fiction tale, saved by some lovely visuals.

Steve (Roger Gentry) is leading a mission to Mars. The mission runs into trouble when it reaches the red planet and crashes. The crew of four are stuck on the planet and only have a few days oxygen supply left. They find Mars barren except for a few bizarre monsters. 

Finally, they find a cavern inhabited by a Martian collective conscienceness in the form of the Martian Wizard (John Carradine)...

The film is all rather slow though pretty atmospheric. This isn't a standard 1960s science-fiction film, indeed it is all rather psychedelic and at times pretty inventive though it is also a bit dull. Not a great deal happens and the characters are rather annoying. It isn't great and unfortunately isn't terrible enough to be truly entertaining!

1984 (1984)

A superb adaptation of the George Orwell classic tale.

It is 1984 and the world is now a dark dystopia of authoritarian rule by Big Brother, who uses disinformation and lies to control the population (with brutal security forces as well if all else fails). Winston Smith (John Hurt) is a low-level party operative whose job is to literally rewrite history to present the reality Big Brother wants, and to be happily consumed by the brain washed population. Smith however, is not a true believer and writes subversive thoughts in his diary.

He meets and falls in love with Julia (Suzanna Hamilton), another party operative who also wants something more than Big Brother will allow. They begin a secret (and illegal) love affair. Winston is contacted by a higher up party official (Richard Burton) who appears to be part of an underground movement. However, once again all is not what it seems and the secret double life of Smith and Julia soon comes crashing down...

The world building here is top notch, the world of Big Brother is dark and terrifying (especially the torture scenes) and also a warning to us all. A very good film. This was Richard Burton's final film before his death.

The Bubble (1966)

Given the time period for the sci-fi genre, and the fact the film was originally shown in 3-D, you might think this film could be awful cheese... but actually it is a surprisingly good film.

Mark (Michael Cole) and Catherine (Deborah Walley) are trying to get to a hospital before Catherine gives birth. Their private plane is caught up in a strange storm and lands in a mysterious small town. Everyone in the town seems to act like zombies, repeating the same lines and the same actions over and over again and living in a trance. 

Together with their pilot Tony (Johnny Desmond) they try to escape the town but find it is surrounded by a clear impenetrable barrier. Every seven days a mysterious light in the sky plucks someone to an uncertain but likely to be unpleasant fate up into the heavens above...

The film builds a creepy and mysterious world slowly. We don't really see the aliens (apart from perhaps in one scene) but their presence is everywhere. The leads do well in portraying a growing sense of eerie unease and paranoia. Much remains unanswered but thats no bad thing with a film like this.

The Day the Sky Exploded (1958)

One of the earliest Italian science-fiction movies and truly isn't that good.

McLaren (Paul Hubschmid) is chosen to be the first astronaut into outer space in a multi-national mission. The launch goes as planned but soon disaster strikes and asteroids are sent hurtling towards the Earth causing disasters all over the world! 

The only way the world can be saved is by the West and the Soviets working together and using their nuclear arsenals for good...

The movie has some good ideas, and some of the plot points will re-appear in later films. However, this is all rather odd and poorly made and the poor special effects (though fairly standard for the time) are overly padded out with stock footage. The film is what it is, and is worth watching for the curiosity value and for the plot being quite novel in many ways.

The Brain Machine (1972)

Confusing and with a low budget, this is probably not going to go very well.

A group of people (including James Best as a priest) are selected to take part in a mysterious experiment led by Dr Roth (Doug Collins), the purpose of this experiment is never made clear but the fact the previous head of the programme ran away and ended up being executed by government agents does not bode well. 

During the experiment the patients are trapped in a room and then things take a turn for the worse, as the experiment is hijacked by secretive government agents. The patients are driven crazy, and in some cases want to kill...

The film does not make much sense, it probably needed a good edit and a bit of clarity in the plot. The paranoia builds nicely though and psychological terror in the last act is quite effective though but it takes a deal of tedium and many static shots of a swimming pool (for some unexplained reason) to get there. The IBM computer equipment is probably the real star of the film (for me anyway).

Light Blast (1985)

An insanely violent 1980s crime/science fiction film.

Dr Soboda (Ennio Girolami) is a renegrade scientist who has developed a death ray. He uses it to blow up a train and melt the unfortunate couple getting it on inside a boxcar. Soboda wants millions of dollars from the San Francisco authorities otherwise he will use his death ray again. He indeed does use this at a race track to deadly effect.

Supercop Inspector Ronn (Erik Estrada) is tasked with stopping Soboda. His investigations consists of getting into a string of fights including in a morgue! In fact there are a lot of fights in this, many many fights and many many deaths.

This is a fun 1980s action romp, full of stunts and action scenes and doesn't make a lot of sense. Not a film for character development, much in the way of plot or any logic. But the film is highly enjoyable as a mindless action romp so who cares?

The Cosmic Man (1959)

An interesting, if well worn, sci-fi tale. The story has been seen before, usually with a bigger budget!

A mysterious globe arrives on Earth near a US military base. Dr Sorensen (Bruce Bennett) is tasked with trying to discover what this globe is and if it contains any secrets which can help the US military. Colonel Matthews (Paul Langton) becomes impatient as Sorensen and his team continue their painstaking investigation. Meanwhile, a mysterious shadowy figure begins to terrorise the local town. A mysterious man (John Carradine) also makes an appearance and shows a lot of interest in what is going on...

This is a perfectly reasonable science fiction tale, the story of a visitor arriving from outer space is of course very familiar. This film lacks any whizz bang special effects though can be a little more thoughtful than films of this genre at the time often were. It does lack much in the way of any real excitement or drama but is a decent watch. 

Dimension 5 (1966)

A rather flimsy 1960s spy film with some time travel nonsense tacked on.

A Chinese Communist faction are trying to smuggle a nuclear bomb into America and blow up LA. Justin Power (Jeffrey Hunter) is an agent of a secret US agency who is tasked with stopping them, he is helped by fellow agent Kitty (France Nuyen) and they begin a search for the head of the faction in the US, Big Budda (Harold Sakata). 

Assisting them with their endeavours is a time travel belt which can allow them to jump forward and backwards in time, though despite this apparently game changing technology Power and Kitty still end up having a fist fight with the bad guys in a fireworks warehouse...

This is what it is, a low budget and very campy spy romp. It has all the cliches of the genre and of course is helped out by Oddjob (Sakata) appearing - even if he is terribly dubbed and spends the film in a wheel chair (which rather negates his impressive physical presence). The film is not very good though is pretty watchable and enjoyable if approached in the right way as a 1960s piece of spy film cheese.

1984 (1956)

The George Orwell classic, remember Big Brother is watching you.

In a future dystopia, Britain is now ruled by a totalitarian regime which ruthlessly controls it's citizens via propaganda, rewritten histories and facts and endless lies (backed up by secret police and torture if that doesn't work!) Winston Smith (Edmond O'Brien) is a low level functionary of the regime whose job is to rewrite history to reflect the "truth" which Big Brother wants. However, in a land where love is forbidden (unless it is for Big Brother) he rebels by falling in love with fellow regime officer Julia (Jan Sterling).

The pair maintain their secret affair away from the prying eyes of Big Brother, they also get recruited by high ranking official O'Connor (Michael Redgrave) who apparently is part of an underground resistance. Unfortunately, this is a lie too, Winston and Julia are arrested and end up being brutally tortured and reconditioned. What will happen when they meet again?

A bleak and brutal tale, a crushing and cruel tale always under the watchful eye of Big Brother. It couldn't come true of course, well it hasn't yet anyway. 

Colossus: the Forbin Project (1970)

A complete geek fest of retro computing and a very relevant warning for today.

The US have handed over control of their nukes to a computer designed by Dr Forbin (Eric Braeden) called Colossus. No sooner is Colossus activated then things start to deviate from Forbin's carefully worked out plan. Colossus tells them it has a counterpart in the Soviet Union called Guardian. Colossus demands to be able to contact Guardian. This is allowed but when the two computers start to communicate using their own language humans cannot understand then the communications are cut off. Colossus and Guardian launch nuclear missiles and tell the humans to restore communications or else...

The two computers are now in control, Forbin kept under constant surveillance by Colossus. Forbin has to resort to having Dr Markham (Susan Clarke) pretend to be his girlfriend so she can give him information via some naked pillow talk, the only way for Forbin to communicate without Colossus knowing. The US and Soviets devise a secret plan to stop the computers but the computers are always steps ahead...

This is a great film, full of tension as Forbin and Colossus play the ultimate cat and mouse game, unfortunately for Forbin he is definitely the mouse. The ancient computer hardware is a treat but in a world where there are real fears about AI and what it could do to us the story resonates today. 

The Satan Bug (1965)

A surprisingly good and tense biological horror.

A theft takes place at a US government facility, unfortunately the theft is of some biological agents which have been developed at the facility, one of which (the Satan bug) could potentially wipe out all life in Earth! Former agent Lee Barrett (George Maharis) is bought in to lead the desperate effort to locate who is behind the theft and the weapons. Lee thinks the ringleader is still at the facility and is vindicated when Dr Hoffman (Richard Basehart) is followed and leads him to the weapons.

However, Hoffman is always one step ahead and a desperate race against time ensues across California, Lee assisted by Ann (Anne Francis), and Hoffman seems to have aides and henchmen all over the place...

A highly entertaining film with the tension continually ratcheted up and various swerves and surprises to keep the action fresh. The good cast do very well too. Well worth a watch.

The Brain from Planet Arous (1957)

Fifties science fiction cheese, though with some interesting twists.

Steve (John Agar) and Dan (Robert Fuller) head out into the desert to investigate some mysterious radiation readings. They encounter a cave that shouldn't be there then encounter a bizarre floating brain. Steve returns to his fiancé Sally (Joyce Meadows) but he has changed, for a start he is horny! He also has some maniacal plans to conquer the world. Steve indeed has been possessed by a giant alien brain and has the power to detonate atomic explosions with his mind.

Steve forces the world's powers to bow to him, he plans to use Earth to conquer his own home planet. Meanwhile, an agent from his planet contacts Sally and her father John (Thomas Browne Henry), he tells them Steve has been taken over by a criminal but there is a way to save him...

This isn't a bad film at all, though very low budget. The special effects are few and far between though are pretty effective, the brain itself looks like an overgrown bee. An interesting and fun story.

Howard the Duck (1986)

This is either something completely awful or a work of genius (twisted admittedly).

Howard (voiced by Chip Zien) is just an average duck on a world of ducks but then he is bought to a world of humans (Earth!) when a science experiment by Dr Jenning (Jeffrey Jones) goes wrong. Howard is trapped in a strange land, the only friend he has is Beverly (Lea Thompson), the singer in a failing rock band. 

With the help of Beverly and her friend Phil (Tim Robbins), Howard tries to find a way to get home but that might be the least of his troubles when the experiment goes wrong again and unleashes an extraterrestrial evil on the world...

This is a really crazy film, the star being a sarcastic anthropomorphic duck! The special effects, especially Howard's puppetry and suit work, are pretty decent and the film has some good action set pieces including a microlight chase, some good sassy humour, and even a human-duck sex scene! Once you reassure yourself that you are really seeing such a film and not having an acid trip then there is much here to enjoy, and occasionally cringe over. 

Invasion of the Neptune Men (1961)

This is a very strange and rather creepy science-fiction film.

Cone helmet wearing invaders from the planet Neptune have landed on Earth. The world can only be saved from these slow moving and clumsy invaders by cape wearing Space Chief (Shin'ichi Chiba) and a bunch of Japanese schoolchildren...

This is pretty weird and awful stuff, the cheese factor is high though. Space Chief drives a rather suspicious looking "rocket car" and fights the invaders with a series of energetic though flimsy looking chops and judo throws. 

The Black Hole (1979)

Epic science-fiction mixed with a touch of the macabre.

A space mission led by Captain Holland (Robert Forster) encounters a ship thought lost on the edge of a black hole but somehow resisting the massive gravitational forces. After Holland's ship is damaged they land on the mysterious ship and encounter menacing robots as they are taken to Dr Reinhardt (Maximilian Schell). He tells Holland and his crew that he is the only survivor of the original crew. He built an army of robots to replace them and now plans to fly his ship into the black hole and discover the ultimate secret of the universe...

Holland and his team - which includes Anthony Perkins, Yvette Mimeux, Ernest Borgnine but the jolly robot VINCENT (Roddy MacDowall) - soon discover everything is not as it seems. Reinhardt's crew of "robots" are something much darker, and his chief robot Maximilian silent, evil and deadly...

This is a spectacular film with superb sets which really give a sense of scale. The science fiction is fixed with some dark religious imagery. There is also a lot of action, though Reinhardt's robots obviously went to the same shooting school as Imperial stormtroopers. The story can be a bit simplistic and slow at times but the film is a great watch and highly underrated.

Futuresport (1998)

It is the future (2025 to be exact), the big geo-political questions of the age seem to be decided through a rather ropey looking "future" sport.

Hawaii wants to cede from the USA, a group of separatists gate crash the final of Futuresport, which has apparently replaced other sports like basketball to become the most popular in the world. 

Hot shot player Tre (Dean Cain) takes time out from an interview with his ex Alex (Vanessa Williams) to chase the separatists away with a ball. However, later he decides the best way to solve the Hawaii problem is to hold another game of Futuresport between a US and a Hawaiian team, the winner gets the country! Unfortunately for Tre, his opponents are street smart and led by the game's creator Fixx (Wesley Snipes)...

A strange film though the plot has some interesting if odd aspects to it. The world building is interesting and makes the most of a limited budget though this TV movie has many flaws. The game Futuresport itself is a bit of a dud though with it's odd mix of hockey, handball and skateboarding and has a placeholder for a name. The execution is pretty patchy but the film is not that bad. Just not that good either.

Escape from DS-3 (1981)

Very low budget science fiction, which is surprising good even though not that much happens.

In some future nightmare where everyone wears matching bright polyester outfits, intelligence agent Lavette (Jackson Bostwick) is framed for a crime and sent to an orbital prison. After a short tour of the prison (which includes brutal future electro torture by sadistic guards, constant surveillance and scheduled sexbot sessions) Lavette decides to escape. He concocts a complicated plan with his three of his fellow prisoners including Bubba Smith who would later star in Police Academy.

This is a very cheaply made film, the future seems to consist of endless grey corridors and matching jumpsuits. This film does not have a great deal of action until the very end and then the film concludes quite abruptly. Before that we have a lot of slow build-up and tension as Lavette prepares for the escape. 

Somehow this is quite an enjoyable and watchable film, despite everything.