Mark of the Phoenix (1958)

Low budget and slightly baffling but a perfectly decent crime and spy drama. A secret metal that could give one side a decided advantage in the Cold War is stolen in Belgium. A highly convoluted method is used to get the metal to the East, the metal hidden in a cigarette case. However, the case ends up in the hands of American jewel thief Martin (Sheldon Lawrence).

Martin now finds himself being chased by Duser (Eric Poulmann) and his somewhat hapless gang of thugs, he also is blackmailed by East Bloc agent Vachek (Bernard Rebel) who wants to defect, and also Petra (Julia Arnall) who is keen on him. Of course the police (Anton Diffring) are also closing in...

So, the film has a rather complicated plot, which at times doesn't make 100% sense, but is a fun drama set in postwar Europe. The film is at times brutal, at other times ridiculous. The performances vary between competent to heavy stereotypes but everyone does their job to produce a decent and enjoyable film. Postwar Brussels is the real star though.

Master Spy (1963)

A modest but intelligent spy drama. Distinguished physicist Turganev (Stephen Murray) demands political asylum at London Airport. The British agree and send him to a secure facility to continue his work. Turganev is assigned Leila (June Thorburn) as his assistant, at first he doesn't want her around but soon they forge a good relationship, Leila's chap Richard (John Carson) starts to get jealous.

However, there is more to Turganev than meets the eye. He likes to play chess with Skelton (Alan Wheatley), who is really his spy contact. Indeed, Turganev didn't defect after all and is really a spy sending secret information back to his homeland. When Leila discovers the plot, she is put into danger. Luckily Richard and the chap from MI5 save the day... However, there is a rather enjoyable twist at the end.

A highly enjoyable film that is well plotted and makes the most of a small budget with some good performance from a solid cast.

The Ambassador's Daughter (1913)

A neat little tale of love and espionage. Farnsworth (George Lessey), an attache at the US embassy in London, is in love with Helen (Miriam Nesbitt), the ambassador's daughter. However, while he pursues her (and gets knocked back), a spy - Dumont (Marc McDermott) - who works at the embassy, steals an important document though is forced to hide it. Helen begins to investigate the loss of the document, which puts her into peril...

Rather melodramatic and at times over the top, but a well made film. The romance part of the story is a bit overdone and detracts from the espionage plot. An interesting look at life just before the First World War.

The Accursed (1957)

A group of former resistance fighters are assembled by their former leader Colonel Price (Donald Wolfit) for one purpose: to find out which one of them is a traitor! Price is waiting for his man in Berlin, Dehmel (Colin Croft) to bring him the identity of the traitor... but Dehmel is bumped off as soon as he arrives at Price's country home.

Then a Major Shane (Robert Bray) arrives, supposedly because his car has broken down, but is soon transpires that he was looking Price's now-dead informant and he becomes involves in the search for the identity of the traitor/murderer. More murders and attempted murders begin to take place...

Although this has the veneer of a spy drama, this is really a classic country house whodunnit with the Major taking the role of the authority outsider who uncovers the culprit with the oldest trick in the book. The film is quite slow but has a good sense of suspense and a good cast including Anton Differing, Christopher Lee and Jane Griffiths.

The Quiller Memorandum (1966)

An enjoyable if flawed 1960s spy thriller. Quiller (George Segal) is an agent sent to Berlin by Pol (Alec Guinness) to hunt a gang of neo-Nazis. However, the Nazis led by Oktober (Max von Sydow) are always one step ahead of him. He needs to find their base and they want to find his. So begins a battle of wits and truth drugs across 1960s Berlin (which is the real star of the show). 

Quiller hooks up with Inge (Senta Berger) who also gets into danger. Of course there is more than meets the eye behind much of what we see...

This is a 1960s spy film in the LeCarre style rather than Bond. Written by Harold Pinter it has the intelligent dialogue, subtlety and lengthy pauses you might expect. It lacks much in the way of action though has plenty of suspense. At times the film is a bit too campy and gets dangerously close to being a spoof. However, the film is worth sticking with.

The film leaves things slightly ambiguous. A great soundtrack by John Barry and a theme song by Matt Munro make this a classic 1960s British spy film.

The Teckman Mystery (1954)

A slow-burning but interesting espionage mystery. Philip Chance (John Justin) is tasked to write the biography of a test pilot, Martin Techman. Techman died recently in a plane crash, by coincidence Philip meets the pilot's sister Helen Teckman (Margaret Leighton) on his flight to London. Soon after he begins his task, strange things start to occur. He is offered a lucrative job in Berlin by the somewhat mysterious Mr Rice (Meier Tzeiniker), then Martin's old friend Garvin (George Coulouris) turns up dead in Philip's apartment...

The mystery deepens as Philip meets Martin's wife Ruth (Jane Wenham). The police (Roland Culver) are also very interested in Philip and Techman. Things come to a head when Philip discovers that Martin is alive after all! 

A well-layered mystery with a number of surprises and twists. The film is modest but well formed, Philip's character has the light chippy nature of a Golden Age amateur detective. Indeed this often feels like one of those interwar dramas.

Defence of the Realm (1985)

A highly intelligent political thriller. Reporter Nick Mullen (Gabriel Byrne) investigates an MP (Bill Paterson) who is suspected in being somehow involved with a KGB spy. Mullen's fellow reporter, and old soak, Bayliss (Denholm Elliot) thinks there is a far bigger story. 

After Bayliss' suspicious death, Mullen begins to follow up on what Bayliss was investigating, a mysterious death of a youth and possible involvement in nuclear weapons at a US air base.

Mullen and the MP's assistant Beckman (Greta Scacchi) get involved in a game of cat and mouse with the dark forces behind the state who want to ensure a cover-up, no matter who gets hurt...

The story is very well constructed with excellent performances from the cast. An intricate story of Cold War politics and intrigue. The period view of the workings of the 1980s news room (all typewriters and dicta-phones) is also fascinating.

The Spy Who Came in from the Cold (1965)

An excellent and bleak spy drama, and a very good John Le Carre adaptation. Leamas (Richard Burton) is a burned out spy running British intelligence operations in Berlin. Back in London Leamas is given a new mission to pose as a defector with the aim of discrediting Mundt (Peter van Eyck) of East German intelligence. 

Leamas builds a new identity of a washed out drunk, though enters a relationship with naive young communist Nan (Claire Bloom). Once he defects Leamas is interrogated by Mundt and his rival Fiedler (Oscar Werner). Leamas soon realises that he is just a pawn in a bigger game, and to his horror Nan is another pawn...

A deep and rich spy drama. The inhumanity, grubbiness and cruelty of the Cold War spy game has seldom been better portrayed. Burton's and Werner's performances are truly excellent. One of the best L'Carre adaptations, maybe one of the best spy movies of all.

Hillbillys in a Haunted House (1967)

An incredibly weird film, despite the title it isn't really a horror film. It is more like a goofy spy comedy (though the humour is mostly unintentional) film with added country music. 

Three country singers (Ferlin Husky, Joi Lansing and Don Bowman) are on their way to Nashville, to avoid a storm they stay in what appears to be an abandoned house. However, the house is really the secret base of a bunch of spies (John Carradine, Lon Chaney Jr, Basil Rathbone and Linda Ho) plus an unconvincing man in a gorilla costume. They have a basement torture dungeon and are after a secret formula at a nearby missile plant...

The spies try and scare the country singers away with a collection of rather lame "ghosts". Though there is a real ghost in the house which stirs the pot a bit...

A very strange film, at times so unbearable but at the same time so watchable. Country tunes (some of which are pretty good) are thrown in seemingly at random and with little real justification with respect to the plot. Don't expect many scares, but do expect some real oddness and awkwardness. 

This was Basil Rathbone's penultimate film (and his last in English) and he co-starred with Merle Haggard. A terrible film and great at the same time.

Dead Man's Evidence (1962)

A low wattage but interesting spy drama. When a frogman washes up on a beach in Ireland, Agent Baxter (Conrad Phillips) is sent to see if the dead man is missing agent Fallon (Ryck Rydon). There is a double agent in the Department and the suspicion is Fallon could be that man. Baxter arrives in Ireland (which is mostly free of dodgy accents and stereotypes thankfully) and meets Linda (Jane Griffiths) who found the dead man...

Baxter wants a ring that was found on the frogman but was missing when the body was taken to the morgue. Gay (Veronica Hurst) was also present when the body was found and seems to know a mysterious bearded man who indeed turns out to be Fallon. However, this film has a tremendous twist...

So a great twist, the problem is the film is a bit of a slog to get there. There isn't a great deal of action apart from a few scuffles. As the film progresses the behaviour of the principals (especially Baxter and Linda) becomes stranger and stranger, which ultimately makes sense.

The Steel Key (1953)

A fast moving though rather complicated crime/spy caper. A scientist who has worked on a formula for hardening steel has died in America. Johnny O'Flynn (Terence Morgan) arrives in the UK pretending to be the colleague of the dead scientist to try and find the formula. He discovers that the only man who might know the formula, Professor Newman (Esmond Knight), has just died...

O'Flynn enlists the help of a nurse at a sanatorium where Newman died. Doreen (Joan Rice) had serious misgivings on the treatment given to patients. Doreen helps O'Flynn discover that Newman is still alive, and a gang led by Dr Crabtree (Colin Tapley) are trying to sweat the information out of Newman...

A complicated plot with various double crosses and changes of identity. The film is fairly light and breezy in tone, despite a certain amount of murder and brutality... all in the crisp, chipper nature of an early 1950s British film.

Ghosts on the Loose (1943)

Low wattage mirth and spookiness. The East Side Boys (an ensemble of characters who appeared in many a film in the 1940s) are decorating a house after one of the Boy's sister (Ava Gardner) gets married.

Naturally there is a mix-up and they enter the wrong house... one that is being used by Nazi spies led by Bela Lugosi. The spies want to get rid of the Boys and so play at spooks with various hidden trapdoors and panels behind pictures...

When we get onto the actual spookiness the film is fairly good though not very original. The earlier wedding segment does drag a bit with various gags which are stretched a bit thin. Luckily the film stays modest. Its a passable time waster but not much more.

The Looking Glass War (1970)

An excellent Le Carre adaptation, though one which differs from the book somewhat. The Department is a fading section of British Intelligence desperate to recapture former glories. When they find out about apparent Russian missiles in East Germany they see the chance to regain their standing by sending a man in to verify the information...

Polish layabout Leiser (Christopher Jones) is whom LeClerc (Ralph Richardson) and Avery (Anthony Hopkins) find to infiltrate the Iron Curtain. Leiser doesn't care about politics, he just wants to live in the West and chase girls. However he is trained to be a killer and some basic spycraft and then sent over. What could go wrong?

A lot in fact, from the start the operation is bungled and the East Germans are never far away from Leiser, who hooks up with local girl Anna (Pia Degermark) and travels across Germany in an old lorry leaving the odd body behind...

Dark and bleak but also having a touch of "Swinging London". Leiser is a bit of a blank slate, his motivation is rather vague, his characterisation a bit undeveloped. The film looks beautiful though and has a cynical edge to the glamour and sunshine.

Diamonds are Forever (1971)

For our seven hundredth review, we enter the world of 007...

The seventh James Bond film, Sean Connery returning to the role after George Lazenby made his first and only appearance in the previous film On Her Majesty's Secret Service. Bond is sent to investigate a diamond smuggling ring, though of course as this is a Bond film there isn't as simple a reason for smuggling diamonds such as greed. Bond discovers that SPECTRE are using the diamonds to create a powerful orbital laser weapon. The laser is used to destroy nuclear weapons in the US, Russia and China...

Bond discovers this in his usual way, mostly wearing a dinner jacket in various nice bars and casinos. Bond befriends (and beds of course) the diamond smuggler Tiffany (Jill St. John), he also tangles with arch-nemesis Blofeld (Charles Grey). Bond also steals a moon buggy and it all ends up in a final battle on an oil rig. The usual campy and over the top 007 nonsense we love.

This was Connery's final "official" James Bond film, 1983's Never Say Never Again being not part of the Eon produced canon of course. It is a fine film which depicts the ridiculous stylised 007 spy game better than most. The title song by Shireley Bassey surely has to be one of the very best Bond themes.

Black Dragons (1942)

Rather baffling propaganda drama. A group of Fifth Columnists, out to harm the US' war effort against the Japanese are killed off one by one by the mysterious M. Colomb (Bela Lugosi) - who seemingly is allowed to wander around the house of Mr Saunders (George Pembroke) without anyone querying exactly why or who he is.

Young detective Dick Martin (Clayton Moore) and Saunders' niece Alice (Joan Barclay) are trying to find out what is going on though without much success (just like the film going public no doubt). Colomb runs rings around everyone, able to appear wherever he likes in Saunders' house...

A rather clunky film though full of suspense and dark shadows. There is also a lot of inept police work on show. The plot is rather confusing, though at the end things become a little clearer when Columb's real identity and purpose is known. Though while the plot becomes clearer plausibility is stretched somewhat. The film should just be enjoyed for what it is. Mostly nonsense, but decent enough nonsense.

The Marines Come Thru (1938)

A rather middling spy drama, enlivened by a performing goose. Marine aviation mechanics Singapore (Wallace Ford) and Junior (Grant Withers) have helped the Marines develop a new bomb sight. A group of foreign agents including Beckstrom (Frank Rasmussen) and Dick Weber (Don Lanning) want to steal the plans and manage to infiltrate the base disguised as Marines...

Singapore and Junior overhear the agents' plans and head to an island which is the agents' base. There is also a fairly lengthy segment set in a night club with a performing goose, the goose is probably one of the best actors in this unexceptional drama.

In the end the good guys win through amid a propaganda heavy montage of military footage. However most the audience probably had zoned out by then. The film needed more of Lucille the goose to be honest.

Charlie Chan at the Olympics (1937)

Another pleasing Charlie Chan romp. An experimental new guidance system for unmanned aeroplanes is stolen by foreign agents, Charlie Chan (Warner Oland) tracks the system to the Olympics in Berlin where the system is to be sold to the highest bidder. With Number 1 son (Lee Chan) in the US swimming team, Chan heads over to Berlin on the Hindenburg...

As usual there are plenty of suspects and red herrings for Chan to sort through in Berlin with the help of the German police in the form of Strasser (Frederik Vodeding). Chan son's life also ends up in peril as the film becomes more a spy adventure than a crime drama.

A good Charlie Chan film that is certainly is worth watching especially for actual footage of the 1936 Olympics. It is also interesting for showing Nazi Germany in a fairly neutral light, of course a couple of years later all that would change.

South of Panama (1941)

A modest but decent espionage drama. Government scientist Paul Martin (Hugh Beaumont) has developed a new secret camouflage paint and is heading to Panama, but enemy agents want that secret for themselves. Paul's sister Jan (Virginia Vale) is warned agents are waiting for her brother and causes a distraction with stranger Mike Lawrence (Richard Pryor).

Lawrence, whom the rather clueless agents think is Jan's sister, gets drawn into the action which includes some fairly low-octane car chases and a few fumbling fight scenes. Jan meanwhile puts on a black wig and becomes a Latina singer and becomes "unrecognisable" despite her awful accent...

An enjoyable little film which makes little sense if we are to be honest, if the scientist's formula was so valuable why would he be allowed to travel without any protection? However if the viewer can get over that they'll find a fast paced drama, maybe few surprises but well executed.

Missile X: Tehran Incident (1979)

Unintentionally hilarious sub-Bond nonsense. A peace summit is due to be held in the Persian Gulf but the Baron (Curt Jurgens) seeks to attack it using a stolen Russian nuclear missile (which so obviously looks like it has been made out of cardboard). CIA agent Franklin (Peter Graves) is sent to Iran where he meets up with his Soviet counterpart Senyonov (Michael Dante) to find out whats going on.

Quite what their plan is remains a mystery as they seem to aimlessly move from one fight to the other, including a formless brawl in a casino. Luckily for our heroes the Baron's men are low-rent thugs including a man with a metal arm that can project spikes. They all share a lack of ability to fight and shoot straight in scene after scene. 

Franklin meanwhile sleeps with women young enough to be his daughter (at least). As the film progresses you get the impression he might be a little too old to be throwing himself around an Iranian backyard. It probably would have been a decent role for Graves about fifteen years earlier into his career.

It is a fun (if approached in the right manner) if nonsensical film. The film does have a great funk soundtrack, though most of the time it rather jars with the action, sometimes drowning out the dialogue too. This adds to the "joy" of the film of course. The view of Iran just before the revolution is also fascinating and revealing.

Cloak Without Dagger (1956)

A modest and inoffensive, yet enjoyable little spy drama. During the war Felix (Philip Friend) and Kyra (Mary Mackenzie) were after an enemy spy but he escaped them. Now ten years later Felix is a waiter in a hotel and Kyra a journalist... and she has seen the spy again! Now he is apparently Peppi (John Heller), a dress designer. She has also seen a dead body... which quickly disappears.

Kyra enlists the help of the hotel detective Fred (Leslie Dywer) who suspects Felix is a wrong-un... much to Kyra's shock. Has Felix become an enemy agent? Everything seems to point to a secret nuclear base...

Although somewhat limited with a basic by the numbers plot the film is a decent enough watch with a fairly exciting helicopter chase as a climax. Look out for Frank Thornton in a small role as one of the spy ring, long before the days of Captain Peacock!