The Bat (1926)

A very odd though fascinating film. Van Gorder (Emily Fitzroy) and her niece Dale (Jewel Carmen) have taken over a remote country house, unknown to them the previous and now dead owner's money has been concealed in the house. Now a mysterious character and master criminal who dresses as a giant Bat has come to steal it! What follows is a series of spooky antics via hidden passageways and red herrings.

Brooks (Jack Pickford), Dale's fiancé, is the man suspected being behind the (quite frankly) bizarre Bat character. With the help of Detective Anderson (Eddie Gribbon) the Bat is finally run to earth, quite literally thanks to a man trap. But who was the Bat? At the time audiences were asked not to tell people who it was (an early example of no spoilers!), we'll honour that too!

This is basically a dark house mystery with some added suspense and horror and indeed humour thanks to the Bat. The thought of a man dressed as a giant bat to commit murder and robbery is quite surreal and the wonderfully atmospheric sets and clever cinematography really make this film something special. This film was remade in 1930 and that version of the Bat was said to have been a big inspiration behind Batman! 

Country Town (1971)

A tale of drought, tension and romance in the Australian bush. At times this film is very soapy which is no surprise as it was a movie spin-off from the long running Australian TV drama Bellbird. 

The country folk have been hit hard by a drought, many farms are failing and businesses suffering without any cash. Reporter Philip (Gerald Maguire) arrives in town to discover what is going on. His arrival stirs up tensions but the locals rally round to hold a gymkhana to raise funds. Will the rain finally return? 

It probably helps to have seen the soap opera but this is a decent portrayal of country folk and some good rough humour (not always intentional). Also starring Terry MacDermott, Gary Gray and Lynette Curran. This film was made in the middle of the soap's run which continued into the late 1970s.

The Hideous Sun Demon (1958)

Awfully low budget science-fiction nonsense, Scientist Dr Gil (Robert Clarke) is exposed to radiation, however it does not appear to have harmed him... until he sits in direct sunlight and he turns into a reptile! Naturally the only thing to do when this miracle happens is for Gil to be allowed out hospital and live alone in his mansion! He hits the bottle, seduces singer Trudy (Nan Peterson) and kills her minor hoodlum boyfriend George (Peter Similuk) when he faces the sunshine again and re-enters lizard mode.

The police are on the case, well vaguely. Considering a mutant murdering lizard-man is on the loose the police search is rather low-key. But Lizard Gil is finally tracked down to a showdown atop a gas holder...

The film is rather cheap and makes little sense (of course). Gil apparently has a thing for fellow scientist Ann (Patricia Manning) though that doesn't stop him with Trudy. The lack of interest from the government also makes no sense, but then again this was the 1950s so crazy science accidents and bizarre monster threats was probably quite mundane. It might not make much sense but scores high on the cheese-ometer of course.

In the Park (1915)

Fun and frolics with Charlie Chaplin in a park. A thief is loose in the park stealing handbags, but when he tries to pick Charlie's pockets he ends up losing his ciggies. The thief isn't very good at keeping his loot either as the handbag switches from park user to park user. In the end the handbag is reunited with it's owner but she is so angry at her boyfriend, he decides to jump in the lake with Charlie's help! A light film without a huge amount of plot, just a sprinkling of decent gags. Charlie Chaplin was still developing his comedy character and there was still some work to do but a pleasant watch. Edna Purviance is around of course as a maid enjoying the park.

The Detective (1968)

A tough realistic crime drama. Leland (Frank Sinatra) is a tough uncompromising hard-bitten (almost but not quite to the point of self-parody). He investigates the brutal killing of a homosexual, eventually catching an unstable young man (Tony Musante) who ends up in the chair. 

However, the suicide of businessman MacIver (William Windom) opens up a whole new can of worms, which leads Leland to the realisation that he was wrong before and there is a whole nest of vipers behind the scene...

Meanwhile we also explore Leland's life in flashback including his troubled marriage to Karen (Lee Remick) and his various run-ins with his superiors and peers. Leland is a troubled soul in a troubled city...

This is a highly entertaining film with Sinatra playing the role with suitable intensity. The film takes a very mature approach to society and policing and was one the first mainstream films to explore homosexuality. 

The book which this film was based up also had a sequel which was turned into a movie. That movie was Die Hard, so in a way this is a prequel to the Bruce Willis film!