Dead of Night (1974)

A superb horror film exploring some really dark territory.

The Brooks family is torn apart when their son Andy (Richard Backus) is reported killed in action in Vietnam. However, a few days later he turns up alive... and well? Well physically he seems fine but personality wise he seems to have completely changed, much to the concern of his father Charlie (John Marley). 

Andy seems to want to have nothing to do with his family or friends, he even kills the dog! He also seems likely to have killed a truck driver in a brutal attack. Well his mum (Lynn Carlin) is still happy...

A deliciously dark horror. Although there is some gore much of the menace is implied and laid on thick. Andy's descent into a blood drinking decomposing zombie is brilliantly portrayed with some great acting and great make-up. 

God Told Me To (1976)

Somewhat confusing maybe, and switches between more genres than you can count, but somehow its brilliant.

A number of horrific random crimes are being committed in NY, the perpetrators all saying that "God" told them to commit the crimes before they usually die themselves. Detective Nicholas (Tony Lo Blanco) thinks there is something more than meets the eye to this and begins to track down the mysterious Bernard Philips (Richard Lynch) who has been seen speaking to the perpetrators and indeed may even be directing matters.

Nicholas' investigation goes into really strange territory when it includes alien impregnation! Nicholas also begins to discover some shocking details about his own life too...

So, the film starts off like it is going to be a gritty 1970s crime story, then becomes a horror with elements of the supernatural, then sci-fi. Then the film switches back to crime with a blaxploitation-esque sub-plot about a pimp (George Patterson) who kills a cop on the take. 

Oh, there is also a sub-plot about Nicholas and the two ladies (Deborah Raffin and Sandy Dennis) in his love triangle! The story is confusing, but fast moving and multi-layered. Its great!

The Undead (1957)

An interesting film despite the premise which at first glance looks like run-of-the-mill witchcraft horror but there is a lot more to it.

Unscrupulous scientist Ratcliff (Val Dufour) has devised a way to send someone back to relive a past life. He pays for prostitute Diana (Pamela Duncan) to lie on his couch, though not for the usual reason. Diana is sent back in time and discovers she is a witch who is due to be beheaded! Diana escapes and links up with a coven including Livia (Allison Hayes) and even Satan (Richard Devon) himself!

The problem for Diana is, if she avoids death in the past, then her future lives may not exist. Ratcliff heads back himself into her past life to help her make the right decision...

Witchcraft films of the period tended to be rather campy and a bit like a pantomime. However, this film is saved by the dilemma and internal battle Diana faces, plus a rather dark twist. Surprisingly good.

Shock Waves (1977)

They may plod a bit but these Nazi SS zombie super soldiers certainly provide plenty of scares.

The Captain (John Carradine) has bought a group of tourists along in his rusty old tub of a boat. When his boat runs into troubles and hits a mysterious derelict ship, the Captain is killed and the crew and passengers escape to a nearby island. On the island they discover a hermit who becomes very agitated when he learns of the derelict ship. Apparently the hermit is an SS Commander (Peter Cushing) and the ship was supposed to be trapped on the sea bed with it's cargo of zombie SS stormtroopers!

Those zombie SS are emerging from the sea and begin to kill the survivors one by one. The SS Commander tells them the zombies are uncontrollable and have an insatiable need to kill. A battle for survival ensues.

The zombie SS are rather slow moving but undeniably creepy, they are also unstoppable and relentless. The survivors including Brooke Adams and Fred Buch are varying degrees of annoying but play their part in this rather decent zombie horror.

Merlin's Shop of Mystical Wonders (1996)

A dubious Merlin unleashes horrors on a grandchild's mind.

When a power cut stops his grandson (Mark Hurtado) watching TV, granddad (Ernest Borgnine) tells him a couple of horror stories involving Merlin (George Milan) and his shop of horrors... i mean mystical wonders. In the first story a sneering newspaper critic (John Terrence) visits Merlin's shop to have a sneer. He is given a book of spells by Merlin to help him believe in him. The critic tries out the magic and unleashes all sorts of demonic and hellish magic on the world and himself.

In the second story a little monkey toy is bought by David (Bob Mendelsohn), unfortunately this toy is possessed by dark magic and when it plays the drums deaths occur. Starting with a goldfish and soon progressing to humans too...

Although the stories are not too original they are well done though they seem rather dark for a grandfather to tell a young boy! The moral from the story seems to be Merlin should be locked up! Although quite cheesy at times this is a perfectly enjoyable B-movie horror. You do wonder though if this film is indeed aimed at children or aimed at mentally scarring them?

Mesa of Lost Women (1953)

A rather mediocre mad science horror, the only really scary thing is the soundtrack.

Scientist Aranya (Jackie Coogan) (and as this is a movie he is of course a mad scientist) is conducting twisted human experiments using spider venom to create a race of indestructible and obedient women. Another scientist called Dr Masterson (Harmon Stevens) discovers the vile experiments and is driven insane. He escapes the asylum and forces a group of people including Richard Travis and Paula Hill back to Aranya's bizarre desert lair...

This isn't a very good film. It's very slow moving and dull though does have some enjoyable science weirdness and 1950s style sleazy exotica. 

The main problem with this film though is the soundtrack, a short piece of music which is on continuous repeat throughout the movie and will make you irritable and on edge after five minutes.

The Visitor (1979)

An entertaining if somewhat confusing and bizarre piece of science-fiction / horror.

The forces of good and evil are battling across the universe. On little old Earth a young girl called Katy (Paige Conner) is possessed by telekinetic powers and a desire to cause evil, her poor mum Barbara (Joanne Nail) gets crippled after Katy (accidentall? Maybe, maybe not.) shoots her in the spine. Police detective Durham (Glenn Ford) is convinced there is something going on with Katy, though the girl's demonic pet falcon soon sorts that out...

Meanwhile, Jerzy (John Huston) has arrived on Earth to find Katy and prevent her mum becoming pregnant again as the second child will be bad news for the universe...

It is all rather confusing with often strange visuals and a bizarrely inappropriate soundtrack. The demonic horror does work at times though, the film may have been better if it had concentrated on that and not the outer space battle stuff. However, the nonsense and oddness does make the film pretty unintentionally funny. Conner plays a great role as the demon child, though as with most 8 year olds it probably wasn't entirely acting.

Mind Ripper (1995)

Attempts to create a genetically engineered super soldier go wrong (what a surprise!)

At a secret government laboratory in the desert, scientists attempt to bring a corpse back to life. Finally their attempts work, unfortunately Thor (Dan Blom) has become an uncontrollable crazed beast augmented by genetic mutations. Alex (John Diehl) calls the project leader Stockton (Lance Henriksen) back to the lab. Naturally Stockton brings his young family with him to a remote desert laboratory where human experiments are carried out...

Meanwhile Alex, Joanne (Claire Stansfield) and Rob (Gregory Sporleder) are desperately trying to stay alive. Joanne discovers that Thor needs a certain chemical to stay alive, unfortunately Thor gets this chemical by growing a phallic appendage out of his mouth and then stabbing it into his victim's brain! 

This film has a lot of claustrophobic mayhem and running about into a barely lit underground bunker. The gore content is pretty high and the film does have the odd bright spot in it's plot though these are unfortunately largely lost in the gloom of stilted dialogue and repetitive nonsense. Not that a great film though fun to watch.

The Dead One (1961)

One of the earliest zombie movies in colour, quite terrible though reasonably interesting.

John (John McKay) and his new bride Linda (Linda Ormond) head up to the house in Louisiana which John has inherited. His cousin Monica (Monica Davis) already lives there and isn't that happy about John's arrival. She is into the voodoo cult which John dismisses as superstition in his typical bossy 1960s male way. 

At night Monica summons her recently deceased brother Jonas (Clyde Kelly) from the grave as a zombie (in a tuxedo). She sends him to kill Linda though he gets confused and kills a woman who was also staying in the house (Darlene Myrick) instead. John is still dismissive though soon realises the voodoo power is real...

A short movie though takes such an incredible amount of time to get going that it feels much longer. Not a terribly exciting story though an interesting example of a US indie film. One of the first two zombie films in colour, the other being Dr Blood's Coffin.

Atom Age Vampire (1960)

A rather squalid and awful little film.

Jeanette (Susanne Lorette) is an exotic dancer who is facially disfigured after a car accident. She is approached by Professor Levin (Alberto Lupo) and his assistant Monique (Franca Parisi) who have developed a ground breaking method to heal skin in their dingy little lab full of rabbits in cages and radiation. The method works but Jeanette, whom Levin has become obsessed with, requires regular treatments. Those treatments need the glands from murdered women. Levin commits these murders after he, for some reason, transforms into a weird looking beast...

A film that makes no sense, scenes end abruptly even mid dialogue and everything about the film is rather shoddy. The film is quite entertaining but mostly because of it's awfulness. 

Don't really expect any vampires, the confusing title is referred to in the English dubbed dialogue. The Italian title translates to Seddok the heir of Satan, which makes slightly more sense.

Chopping Mall (1986)

A simple but effective horror film, perfect if seeing a killer robot wipe out annoying young people is your thing.

A shopping centre has deployed a number of rather sinister looking robot sentries to guard the centre at night. The manufacturers of course reassure people that nothing can go wrong but we all know something will. A lightning strike on the central computer turns the sentries into homicidal maniacs.

Meanwhile a group of young shop workers are having an after hours party. As they have fun including lots of sex they are unaware the robots are on the way. Soon the group, led by Alison (Kelli Maroney), Ferdy (Tony O'Dell) and Rick (Russell Todd) are having to fight for their lives as the robots pretty unstoppable...

A highly enjoyable film. The human characters are probably as annoying as the robots are sinister with their red wrap around vision and arsenal of weapons (including laser cannons for some reason). The plot is pretty straight forward but the thrills are well delivered with some impressive horror high-spots. The title is great as well.

Subspecies: The Awakening (1998)

High octane vampire nonsense, what is going on? Who knows... but also who cares?

Michelle (Denice Duff) escapes from her vampire master Radu (Anders Hove), a creature of pure evil and also pretty hard to kill. Michelle is saved by a nurse and taken to the ridiculously creepy looking Dr Niculescu (Mihai Dinvale) who promises to help her but really he wants the mysterious blood stone which Radu possesses, though first he secretly drinks blood from Michelle's thigh while she is unconscious.

The scene is set for a showdown between Radu and Michelle in a crypt (of course) while various other incomprehensible vampire nonsense takes place.

This film is a bit of a mess. Very violent, bloody, incoherent and campy and weird. It's totally brilliant.

Amsterdamned (1988)

A great title, a great premise and indeed a great film.

A maniac in a wet suit is killing people in Amsterdam with a rather large knife and using the city's extensive canal network to get away. The police force's top man Eric Visser (Huub Stapel) is on the case though doesn't really have much to go on in the way of any leads except maybe the perpetrator can swim. 

He hooks up with Laura (Monique van der Ven) who has something to do with a diving club but mostly because he fancies her. With the government putting the police under pressure as the victims start to mount up, it seems Laura might have some idea that her therapist friend Martin (Hidde Maas) is the killer, or is he?

The police work is rather haphazard and the film does meander at times but this is overall a very solid crime / slasher horror drama with some superb action set pieces including an incredible speed boat chase through the canals of Amsterdam. The ending is rather bleak and abrupt but it suits such a bloody and gruesome film.

Dead Heat (1988)

A cheesy zombie buddy cop movie, which somehow is brilliant!

LA cops Roger (Treat Williams) and Doug (Joe Piscopo) investigate a series of brutal robberies by men who are very hard to kill. Coroner Rebecca (Clare Kirkconnell) discovers that the men are zombies, bought back to life somehow using chemicals and something else. Roger and Doug track down these chemicals to a shady bio-tech company where they discover bizarre human experiments taking place, including bringing the dead back to life. After Roger is killed by the company's henchmen, Rebecca and Doug bring Roger back to life as a zombie cop!

Roger unfortunately only has a few hours before his body breaks down. With the help of the company's former PR head Randi (Lindsay Frost) they discover a shadowy plot to give the rich immortality, after a fee of course. Quite how is Loudermilk (Vincent Price) involved?

A terrific action romp of a film, part buddy cop, part zombie horror. At times it gets very gory indeed, and also pretty violent. A highly entertaining film which maybe shouldn't be but the makers and cast managed to pull off a bit of magic here.

Look out for a number of interesting appearances as well as Price in one of his last few films, including Robert Picardo (Star Trek Voyager's EMH) and Keye Luke who was of course Charlie Chan's Number 1 son!

House of the Black Death (1971)

A rather low-rent and low-energy Satanic horror... not that there is that much horror. Plenty of Satan though.

The Desard family have been cursed by Demonic forces for centuries. Now the two brothers Andre (John Carradine) and Belial (Lou Chaney Jr) are competing warlords invoking the power of Satan to control the local village and estate. Visiting scientists Dr Mallory (Andrea King) and Dr Campion (Jerome Thor) naturally scoff at such superstitious nonsense.

But the Satanic battle is real, though mostly seems to consist of scantily clad women gyrating and writhing and plenty of calls to Satan. To be honest about 50% of the dialogue of this film is the word "Satan" and there is a lot of dialogue in this film. Actual visual horror is in short supply though the film is undeniably a bit creepy but isn't very scary. And really isn't that good.

Q: The Winged Serpent (1982)

A rather odd and also rather graphic film about an Aztec monster on a killing spree in New York.

Someone... or something... is killing people at random in NY. Detectives Shepherd (David Carradine) and Powell (Richard Roundtree) are on the case of some horrific murder cases of people being skinned alive. Are these linked to the other murders, which some eyewitnesses say are being done by a horrific looking flying creature? Shepherd begins to think so, investigating Aztec human sacrifices and the summoning of a winged serpent god (Quetzalcoatl natch), though the rest of the police are somewhat sceptical...

Low-rent cowardly crook Jimmy (Michael Moriarty) is less sceptical, especially after while on the run from the police he climbs to the top of the Chrysler building (a perfect Art Deco setting in this macabre film) and finds the creature's nest, including the remains of victims and a giant egg...

The film takes a while to come together, the early scenes with Jimmy seem completely out of place but eventually it all makes sense in a sometimes irreverent and satirical early 1980s style. The film reminds me a bit of Buckaroo Banzai at times, and as that is one of my very favourite films then that is, of course, a good thing. Not that this film is anywhere near as good as Buckaroo, it does drag at times but overall is a perfectly decent monster horror film with pretty good special effects for the day.

Horrors of Spider Island (1960)

Rather low-rent horror with beautiful women on a tropical island... and spider men.

Gary (Alexander D'Arcy) and Georgia (Helga Franck) assemble a dance troupe of young women and takes them to Singapore... unfortunately their plane crashes in the Pacific. Joe and the survivors end up on a remote island. They discover that someone was living there but he is lying dead in a gigantic spider web!

A bizarre giant spider lives on the island. It attacks Joe who manages to kill it but it's venom turns him into a spider man. He then hunts the women... But then two guys turn up at the island and the women forget all about the spider threat until the end and the return of spider man for a final showdown...

A cheap horror romp, it doesn't make a lot of sense or have that much in the way of horror action though does show a lot of female flesh. Cheesy and vaguely exotic fun. The dubbing is sometimes hilariously bad.

Revenge of the Zombies (1943)

Not quite as much fun as a film about a mad German scientist creating an army of Nazi zombies should be if we are to be honest.

Scott (Mauritz Hugo) heads to a mansion in the Louisiana swamp where his sister Lita (Veda Ann Borg) lives with the scientist von Altermann (John Carradine). Or rather lived because Lita has died in mysterious circumstances. von Altermann seems in a rush to bury his wife and the corpse quickly vanishes. The reason being von Altermann is creating an army of zombies. He intends to return to the Third Reich and create an invincible army of the undead!

However, Lita being a good all-American gal isn't one to bow done to the Third Reich even if dead! She rebels against von Altermann's control, but can the zombie army be stopped?

Not a brilliant film though quite watchable, the budget is pretty low and the "swamp" scenes are obviously an indoors film set. The zombies are not very scary, just rather slow moving people. The best part is probably the comedy antics of Jeff (Mantan Moreland).

Attack of the Puppet People (1958)

Like the shrunken people it is about, this film is small but mighty!

Sally (June Kenney) gets a job at a doll maker called Mr Franz (John Hoyt). She notices that he keeps some remarkably lifelike dolls in glass containers however, she doesn't think any more about it. Or that Mr Franz has a strange looking machine in his back office that he likes to keep locked, or that a number of people who have worked for him have mysteriously gone missing...

Sally falls for salesman Bob (John Agar) and eventually plans to leave her job and move to another city with him, which disappoints Mr Franz. However, Bob is next to go missing. Sally then discovers that Mr Franz has shrunken Bob to doll size, and does the same to her! Like a number of other victims, Sally and Bob are now doll sized people who are let out of their glass cages for Mr Franz's amusement...

This is a lovely little film really, it may be small in budget and not well known but it is very watchable. The special effects may be a bit cheap, some of the outsize props are a little off in proportion but this is very fun stuff indeed. Hoyt is superb as the outwardly kind but secretly monstrous Franz.

Curse of the Fly (1965)

The third instalment in the Fly trilogy, don't actually expect any flies, do expect a surprisingly good film.

Martin (George Baker) is heading home when he spies a young woman running in her underwear. Naturally he stops to help her. He falls in love with Patricia (Carole Gray) and marries her after a quick romance, even though she is on the run from a psychiatric hospital!

Martin brings Patricia home to meet his father Henri (Brian Donlevy) who is conducting mysterious experiments involving teleportation, why Henri is the son of the man who became The Fly... 

There are no flies in this film but there are hideous mutants, the results of teleportation experiments gone wrong, and kept in the stables. Henri's servants Tai (Burt Kwouk) and Wan (Yvette Rees) are also rather odd, especially Wan who takes a dislike to Patricia and tries to drive her insane. Soon the poor girl is recoiling in terror from the dark secrets of her father-in-law's house...

This is a fine film, marred only by the low budget which is felt sometimes in the effects. The film has a real feeling of doom and menace and plenty of twists, including the final deadly one.