The Monster Walks (1932)

A creepy but rather awful horror film. Ruth (Vera Reynolds) and her fiance Ted (Rex Lease) arrive at her father's mansion after the old man's death. Already very upset but the large ape in the basement who's shrieks echo through the house really finishes her off.

The will is read and the housekeeper Mrs Krug (Martha Mattox) and her son Hanns (Mischa Auer) (who both speak in a ridiculously slow and monotone manner) are put out by the small inheritance they get. That night a hairy hand attempts to strangle Ruth, just the start of some terrible and mysterious happenings that stormy night...

So its a film with mysterious and strange servants, a wild ape and hidden passages. It could have been a lot better film than it is, the pace is incredibly slow and some of the acting hideous.

Home to Danger (1951)

An enjoyable crime noir which also is an interesting look at post-war Britain at the end of empire. Barbara (Rola Anderson) has just returned from years in the Far East to attend the will reading of her recently deceased and estranged father. To everyone's surprise he leaves most of his estate to her... which causes a problem to the father's ex-business partner Wainwright (Francis Lister) who needed the money for dark reasons of his own.

As Barbara finds herself the target of attempted murder (saved a number of times by the local simpleton (Stanley Baker)) she suspects her father's death was suspicious and begins to investigate with her friend Robert (Guy Rolfe). A tale of drug dealing, blackmail and murder unfolds...

Although quite a lot of the film (which is fairly) low budget takes place in the dark this is an engaging if unsurprising film. This is a snapshot of Britain before the great changes later in the 1950s.

Charlie Chan at the Race Track (1936)

When Major Kent (George Irving) owner of a race horse is found dead in the stall on board an ocean liner at first it is assumed it is a terrible accident but famed detective Charlie Chan (Warner Oland) is convinced it is murder and joins the cruise to conduct an investigation - helped/hindered by his number one son (Keye Luke).

Chan discovers a brutal gambling ring is out to rip off punters in the US by switching horses but who is behind it? There is no shortage of suspects among the other owners. Maybe the new owner of the horse Chester (Alan Dinehart)? Or rivals Bagley (Gavin Muir) or Fenton (Jonathan Hale)?

It is a complicated mystery and Charlie Chan is his usual self: relaxed (apart from when he is being shot at) and thoughtful investigation interspersed by pseudo and often bizarre "Chinese" proverbs.

The Giant Gila Monster (1959)

Very low budget monster and rock & roll thrills. Deep in Texas a giant monster (which just happens to look like a normal lizard - but scaled up) has gone on a rampage. Killing kids who just want to make out in their souped up hotrods and drink coke.

Local mechanic Chase (Don Sullivan) and his French girlfriend Lisa (Lisa Simone) know that something is amiss but the authorities don't realise what is going on until the monster attacks a train. The monster then heads to town where the youth have gathered for some rock & roll, can Chase save the day with a car load of nitroglycerin?

Although a cult classic, this is a pretty awful film all in all. The "monster" is just a lizard attacking models and with the camera zoomed in close to make it look large (and not always succeeding). It is great fun though, largely because it is such nonsense.

The Death Kiss (1932)

The Death Kiss includes three leading actors from 1931's Dracula (Bela Lugosi, Edward Van Sloan and David Manners) but is a very different kind of film being a decent though sometimes a bit muddled crime drama.

During the filming of a crime drama the lead actor is shot... for real. Studio manager Steiner (Lugosi) tries to pass it off as an unfortunate accident but the police led by Lt. Sheehan (John Wray) discover it was no accident and a murder investigation begins.

The victim's ex-wife and leading actress Marsha (Adrienne Ames) is found to have a motive, but she isn't the only one. Studio writer Drew (Manners) seems to have plenty of theories about what is going on and conducts a parallel investigation with the police but someone is trying to cover their tracks.

The Death Kiss isn't a bad film but is a little awkward at times but has some decent wit which carries you along. It has some good satire of the inner workings of the film production business and a complicated and engaging plot.