Unknown World (1951)

Low wattage thrills deep underground.

Dr Morley (Victor Kilian) is convinced the world is heading towards atomic annihilation and thinks mankind needs a new home deep underground to keep safe. He forms a foundation and raises funds to build a machine that can explore deep underground. With a team of scientists and rich playboy financier Wright (Bruce Kellogg) the mission begins...

Of course, deep underground is a dangerous place (though also unfortunately a bit dreary). However, finally they discover a huge cavern underground with a mysterious life source and a sea. The rabbits which Joan (Marilyn Nash) has bought with her prove to be sterile in this new world though, which dooms Morley's hopes...

This isn't a bad film, it's just a bit dull. It has the usual perils and personality clashes and a reasonably cool drilling machine but lacks a spark somewhere, the low budget didn't help. 

The 27th Day (1957)

Usually, science-fiction films with low budgets means bad (though often very watchable) films, however it isn't always the case such as with this one...

Five strangers are plucked seemingly from the world at random by an alien (Arnold Moss). Onboard his flying saucer, they are each given a capsule containing a terrible weapon (which only they can use) that can wipe out millions. The alien tells them that they have twenty seven days (once they are returned to the world) to decide what to do with the weapon before it becomes useless.

The five strangers including reporter Jonathan (Gene Barry) are in shock and not sure what to do, though their terrible secret is soon out. Jonathan goes into hiding with Englishwoman Eve (Valerie French). German scientist Professor Bechner (George Voskovec) lies ill in hospital. In the Soviet Union, poor unfortunate soldier Ivan (Azemat Janti) is encouraged to give up his secret by the various robust methods of the KGB. As the deadline approaches can Bechner, Jonathan and Eve find a way to stop the weapon being used by the Soviets?

When you have a low budget and want to make a science-fiction film you can blow your budget on terrible special effects and various genre nonsense. Alternatively you can invest in a very good story and plot, happily this film takes this second option. A very interesting and thoughtful film, it probably did not score too well with people who did want cheesy monsters in rubber suits but you can't win them all.

The Incredible Petrified World (1959)

A rather deep and dull adventure a long way underwater, one could say its a bit of a damp squid.

Four adventurers head deep underwater to explore a mysterious new layer on the sea bed. Something goes wrong of course and the adventurers end up trapped in a subterranean cave. The two males, Randall (Robert Clarke) and Paul (Allen Windsor) do their best to be butch and try and find their way out, the two females Dale (Phyllis Coates) and Lauri (Sheila Noonan) do their best to do the domestic chores and begin a long drawn out bitchfest. 

Things are complicated by another trapped man (Maurice Bernard) who has been down there for years and is a bit crazy, and tells them there is no way out. However, on the surface Professor Wyman (John Carradine) is preparing for a rescue attempt...

In theory this could have been a decent film but unfortunately it is rather dull with not a great deal happens. It's a short film padded out with stock footage and aimlessly wandering about a cave. Maybe if it's budget had been increased to say $20 it would have been more worthwhile, as it is the film is easily missable.

Beyond the Moon (1954)

Rather patchy science-fiction hi-jinks that easily betrays it's origins as a TV show.

Rocky Jones (Richard Crane) is a butch space adventurer, all rippling muscles and tight t-shirt. He is sent off on a mission with his sidekick Winky (Scotty Beckett). To Rocky's dismay he is also lumbered with a woman in the form Vena Ray (Sally Mansfield). Rocky doesn't think this is the place for Vena but considering how she is the only one to know the language of the people they are visiting she does seem quite important. The mission soon runs into trouble though when their rocket ship (which is launched from an electricity sub-station for some reason) comes under attack and Vena is locked in an airless chamber...

This does seem like it was originally separate episodes which have been bought together into a single film... thats because it was! The first three episodes of the Rocky Jones TV show in fact, so there are regular cliffhangers are regular internals. Its not a bad film, just rather half-baked and rather overtly misogynist space opera nonsense. 

Battle Taxi (1955)

A decent film about the Korean War.

Stacy (Arthur Franz) is a helicopter pilot in the US air-sea rescue force, saving injured men and downed pilots from the brutal Communists. However, Stacy was an ex-fighter pilot jock and feels frustrated he isn't blasting around at the speed of sound. His daredevil attitude brings him into conflict with his commanding officer Edwards (Sterling Hayden).

Things come to a head when Stacy is injured himself while rescuing a pilot. With the Communists closing in, Stacy has to rely on Edwards to save him...

Not a bad film at all, though padded out with a lot of USAF stock footage (not a bad thing if you like your Sabres and Shooting Stars). The focus on the air-sea rescue force is an interesting one and gives the film a bit of novelty. 

The Phantom from 10,000 Leagues (1955)

Standard 1950s monster fare, not that good but it could have been worse!

A strange radioactive glow in the water is followed by an attack by a bizarre looking creature. Dr Stevens (Kent Taylor) arrives to investigate and finds that local scientist Professor King (Michael Whalen) is acting suspicious. Stevens also romances the Professor's daughter Lois (Cathy Downs) of course! 

So, this is pretty much all you expect from the genre. The monster doesn't look too bad and isn't over shown but the rubber suit was obviously a bit clumsy for the actor wearing it. In one scene where it attacks a diver the monster looks more like a nervous teenager doing some awkward fumbling than a mutant killer beast! The story is a bit slow but ticks all the usual genre boxes. 

Perfectly acceptable time waster.

Oriental Evil (1951)

A rather seedy tale of crime in early post-war Japan.

Cheryl (Martha Hyer) arrives in Tokyo intent on clearing the name of her brother who was accused of smuggling and committed suicide. She meets up with Roger (Byron Michie), a suave and very tall Englishman. He agrees to help her find the man who was realy behind the smuggling and Cheryl soon falls in love with him.

Unfortunately Roger is really called Tom and is the man she is looking for. He is a disgraced ex-serviceman involved in black market smuggling and has a Japanese wife whom he treats brutally, usually after he has got drunk yet again. However, Roger/Tom has been marked by fate and his demise is inevitable...

A rather low-rent crime drama, slow moving and can drag at times though is well structured and the mystic element adds a bit of novelty. Its also amusing seeing the very tall Michie have to duck everywhere!

Queen of Outer Space (1958)

After a promising start this quickly becomes fairly unoriginal 1950s sci-fi though isn't all bad.

We are in the future (well the 1980s anyway) and mankind is in space. Captain Neal (Eric Fleming) commands his ship to a space station, which comes under attack and blows up! A mysterious beam sends their ship out of control. They find themselves on Venus, and soon are prisoners of women with ray guns who, despite being Venusians speak perfect English and have spent a lot of time in the salon.

No men are on the planet, Queen Yllana (Laurie Mitchell) has either killed or banished them after a nuclear war. She wears a mask and we later find out she was disfigured by radiation. Neal and his men discover that not everyone is as anti-male as Yllana, rebels led by Talleah (Zsa Zsa Gabor) want to change the status quo...

The start of this film is quite promising, the take off and mission being portrayed in a fairly realistic (for the time) manner. However, once the men reach Venus things take a downward turn and the film becomes a bit generic. It also has some rather jarring misogyny even for the time. The sets and costumes look superb though. Not a bad film though it could have been somewhat better.

Tokyo File 212 (1951)

A rather tedious early Cold War drama though offers some interesting views of early post-war Japan.

Jim (Lee Frederick) is a US agent posing as a reporter in Japan looking for the communist gang leader which is passing on information to the Reds during the Korean War. He links up with the rather unusual, and suspicious, Steffi (Florence Marly) - who rather annoying refers to herself in the third person. Jim is looking for his old school friend Taro (Katsuhiko Haida) who is now a communist and part of the gang...

The film is rather dreary and slow, the acting quite basic. At times the actors seem to need their lines dragged out of them. Not a good film but the period footage of Japan getting back on it's feet is undeniably interesting.

Attack of the Giant Leeches (1959)

A rather awful and cheap monster movie that doesn't have much of a cheese factor to save it.

People start disappear in the swamps near a one horse town. The arrogant sheriff (Gene Roth) of course blames alligators or the more dangerous human species. However, a scientist (Tyler McVey) thinks that some kind of blood sucking creature is to blame. Meanwhile, cuckold Dave (Bruno VeSota) and his horny wife (Yvette Vickers) have had a falling out. He follows her to the swamp where she meets her fancy man. Dave chases them through the swamps until they become the latest victims of the monsters. Warden Steve (Ken Clark) goes in search of the monsters...

This isn't a good film by any means, it's rather slow and awkward. The monsters, though they do not appear that often, truthfully arn't the worst in monster movies of the era but the story is rather basic and the acting ranges between miserable and terrible. 

Forbidden Jungle (1950)

Limited but largely inoffensive sub-Tarzan nonsense.

Big game hunter Burton (Don Harvey) turns up in the jungle with a group of natives and a tiger in a cage, however he is not here to massacre defenceless animals, he is hunting for a boy. A boy who is rumoured to have been bought up by chimpanzees after his parents were killed in a plane crash. That does sound a bit familiar doesn't it?

Tawa (Robert Cabal) has in fact been bought up by Trader Kirk (Forrest Taylor) and his friendly natives who live alongside chimps. Burton tries to lure Tawa back to civilisation using the image of the lights of Broadway as the best thing in the universe. This is truly a very strange film.

Not a great deal happens in this film, it has all the usual jungle and noble savage tropes and is padded out with plenty of stock footage of wild animals. Ray "Crash" Corrigan also turns up with his gorilla suit to do his usual unconvincing ape act. Not a good film by any means but watchable enough especially if you like seeing chimpanzees messing about.

Geisha Girl (1952)

This could have been a decent enough spy drama though is let down by whimsy and stereotypes.

Rocky (Steve Forrest) and Archie (Archer MacDonald) are two American soldiers on leave from the Korean War. They head to Tokyo, there they find their uniforms keep them out of interesting bars. They instead buy some clothes from a Japanese tailor, by coincidence the shop is the front for a diabolically evil scientist who had developed a bomb so powerful it makes the atom bomb look like a firework. Archie heads off with an example of this new bomb (which is pill sized) in his pocket...

The gang leader Nakano (Tetsu Nakamura) invites the guys back to his home, where he just so happens to have a geisha school. The guys also bring along flight attendant Peggy (Martha Hyer) who is secretly an Allied agent. Nakano and his inept thugs try repeatedly to get back the pill-bomb...

Fairly light hearted and quite ridiculous, this could though have been a solid enough spy film but is let down by the ridiculous Archie character. Obviously used for comic relief though he mostly succeeds in being pretty annoying. The bizarre hypnotist Zoro (Dekao Yokoo) is quite something though.

A Virgin in Hollywood (1953)

A curious and generally pretty awful little film.

Darla (Dorothy Abbott) is a small town reporter who is sent to Hollywood to get the real deal on the home of dreams. Her trip to Hollywood runs into trouble almost immediately when she gets chased around some ruins by Playboy models. She also ends up in a rather tame burlesque club and encounters some of the strange menfolk (including a rather terrible comedian)... and womenfolk... of tinsel town in a series of "adventures".

A very strange film with a tiny budget, the running time padded out by inserted two out-of-context 3-D short films in the centre of it! Its a shame that this was long-time bit-part actor Abbott's only starring role, she deserved a lot better than this nonsense. Truly terrible - definitely one of the worst films ever made - though pretty compelling watching of course!

The Bloody Brood (1959)

Just how annoying were the Beatniks frequently in film?! The annoyance factor is high in this one.

Drug dealer Nico (Peter Falk) and his band of Beatniks are bored daddy-o, they want some action. Nico decides that that action is murder. He arranges the horrific death of a young telegram messenger just for the kicks. The kid's brother Cliff (Jack Betts) begins to investigate what happened. He infiltrates the Beatnik scene, but soon finds himself in peril...

This film is short but is a bit of a drag. If you can get past the annoying Beatniks (not the easiest task to be honest) then this is a reasonable enough crime drama. It also is interesting to see Peter Falk in an early role.

The Rebel Set (1959)

Beatnik weirdness doesn't quite distract from a solid crime drama.

John (Gregg Palmer) is a wannabe actor, part of the gang at a nearby Beat Generation hangout. He is recruited by mastermind beard Tucker (Edward Platt) for a daring raid on an armoured car in Chicago to steal a cool million bucks. That would pay for a lot of beard stroking and bad poetry.

John, using the cover of going for an acting trial, is forced to take his wife Jeanne (Kathleen Crowley) with him on the train. The heist goes off without a hitch but the trouble starts later on when the crooks start wanting more than their fair share in the loot...

If you can get past the ridiculous Beat Club scenes, including a loud mouth square being thrown out for interrupting some ham spouting bad poetry, this is a pretty good crime film which makes the best use of a minute budget. 

X the Unknown (1956)

Time for our 1,200th review!

A large blob of radioactive slime threatens the world in this thrilling sci-fi horror.

A fissure opens at a quarry used by the British Army for radiation training, soon mysterious and horrific radiation related deaths occur. Radioactive materials also go missing, including from the lab of Dr Royston (Dean Jagger) and the local hospital X-ray department. Despite scepticism from his director Elliot (Edward Chapman), Royston thinks the thefts and deaths are due to some kind of inhuman force or life form from the bowels of the Earth.

Along with McGill (Leo McKern) from the Atomic police, Royston devises a plan to neutralise the radiation in the blob. However, with the blob's appetite for radiation growing is it too late?

Low budget but decent thrills. A very Quatermass like sci-fi horror, and quite gruesome at times. The plot is quite familiar and standard for films of the genre, but the script is taut and efficient and the film is rather good.

Attack of the Puppet People (1958)

Like the shrunken people it is about, this film is small but mighty!

Sally (June Kenney) gets a job at a doll maker called Mr Franz (John Hoyt). She notices that he keeps some remarkably lifelike dolls in glass containers however, she doesn't think any more about it. Or that Mr Franz has a strange looking machine in his back office that he likes to keep locked, or that a number of people who have worked for him have mysteriously gone missing...

Sally falls for salesman Bob (John Agar) and eventually plans to leave her job and move to another city with him, which disappoints Mr Franz. However, Bob is next to go missing. Sally then discovers that Mr Franz has shrunken Bob to doll size, and does the same to her! Like a number of other victims, Sally and Bob are now doll sized people who are let out of their glass cages for Mr Franz's amusement...

This is a lovely little film really, it may be small in budget and not well known but it is very watchable. The special effects may be a bit cheap, some of the outsize props are a little off in proportion but this is very fun stuff indeed. Hoyt is superb as the outwardly kind but secretly monstrous Franz.

Paul Temple's Triumph (1950)

Frenetic crime fighting antics from Paul and Steve Temple.

A scientist (Andrew Leigh) is kidnapped by the mysterious criminal Z. The scientist's daughter (Anne Hayes), a friend of Steve (Dinah Sheriden), asks for help but she is later found dead. Paul Temple (John Bentley) and Steve begin to investigate, their search taking them into the countryside but where Z's organisation seems to have agents everywhere...

A fast moving film that stretches a small budget as far as it can go, unfortunately a lot of the film takes place in hotel rooms or driving around country lanes (though Temple drives an early Aston Martin which is interesting). The film is based on a radio serial and has that feel with regular cliff hangers. Basic but effective.

Giant from the Unknown (1958)

A 1950s monster movie with a difference, well a little bit of difference anyway.

Something monstrous is killing animals in the Californian woods, local scientist Wayne (Ed Kemmer) has discovered a living example of an extinct lizard which was kept alive in a rock for millennia so something odd is going on. Dr Cleveland (Morris Ankrum) and his daughter Janet (Sally Fraser) have meanwhile arrived to look for evidence of a Conquistador giant. With the help of Wayne they find Conquistador remains but the giant himself is not quite as dead as might be expected...

A standard and perfectly reasonable monster film, though the monster is not from outer space but Renaissance Spain (someone should have told the poster maker that). However, the film has a rather gaping plot hole. We see Vargas the giant (Buddy Baer) seemingly coming back to life but if that is so then what was killing and mutilating the farm animals mentioned earlier in the film? Vargus has the typical motivations of a Spanish officer bought back to life after centuries in suspended animation: kill everyone or find something to have sex with!

The Magnetic Monster (1953)

A strange but enjoyable sci-fi thriller.

Dr Stewart (Richard Carlson) is called to a mysterious case of magnetism at a home appliance store, even lawn mowers moving about on their own. He and his team discover a deadly radioactive substance was in a lab above the shop (was that a thing in the 1950s? Science labs above shops?!) Another scientist called Denker (Leonard Mudie) has accidentally created a terrible new radioactive substance which requires huge amounts of energy every few hours and will reach out with magnetic claws to get it...

Dr Stewart and team decamp to Canada where a huge dynamo exists underground, the plan is to overfeed the substance before it grows powerful enough to destroy the world...

The underground dynamo footage comes from the 1934 film Gold, a decent job is made of integrating the footage though it is pretty obvious. This is a good sci-fi horror, the "creature" is a faceless unthinking substance, this film reminds me of Quatermass to some extent. The film tries to keep a degree of scientific realism, including a narrator going into detail about various scientific and computational activities. Maybe this kills the film of a bit of drama though it does add to the historic interest.