Oh the morals of the fabulous people of late 1920s New York, cheating and divorcing left right and centre apparently. Constance Bennett plays a dowdy secretary to a womanising divorce lawyer (Kenneth MacKenna). They form a marriage of convenience to help Kenneth avoid marriage to his mistress though Constance secretly loves him for real.
Constance gets sent off to Paris so Kenneth can continue his cheating ways, there she is seduced by Basil Rathbone and a bit of European sophistication. She undergoes a bit of an Eliza Doolittle transformation before she returns to New York and confront her husband.
It's an enjoyable little film, some of the characters are a bit annoying but there enough good lines in this romantic comedy to keep the interest. There are some enjoyable supporting parts such as that of ZaSu Pitts. The three main leads, especially Constance who is appealingly sardonic throughout, shine. The snapshot of late 1920s/early 1930s life is fascinating.